IELTS Speaking Part 2

An Ambition You Haven't Achieved Yet

Most recently asked in May–Aug 2026

The cue card

Describe an ambition you haven't achieved yet

You should say:

  • what your ambition is
  • why you want to achieve this ambition
  • how long you have had this ambition
  • and explain why you haven't achieved this ambition yet

Sample answers: Band 6.5, 7.0 & 7.5

Three versions of the same answer, each written to sit genuinely at that band — compare them to see exactly what separates the scores.

Band 6.5

The answer names one plain emotional cause ('mostly nerves, honestly') for not achieving the goal and closes with a simple future promise ('next summer I'll finally finish a full course of lessons'), a modest, direct structure typical of Band 6.5.

The ambition I haven't achieved yet is to learn to swim properly, not just splash around near the shore.

I grew up in Hue, away from the sea, so nobody in my family really swims. Even though I live right next to My Khe Beach now, I only ever go in up to my waist. I want to be able to swim out further and actually enjoy the water instead of being a little afraid of it.

I've had this ambition for about two years, since I moved to Da Nang and started walking along the beach every weekend. Watching other people swim out confidently made me want to try, but I never quite got past a couple of basic lessons.

The reason I haven't achieved it yet is mostly nerves, honestly. I booked a few lessons with an instructor near the beach, but I kept cancelling because I felt embarrassed being a beginner as an adult. I still think about it whenever I walk past the water, and I've told myself that next summer I'll finally finish a full course of lessons.

183 words · about 2 minutes

Why this band

  • FCThe reason I haven't achieved it yet is mostly nerves, honestly.The formulaic frame "The reason... is..." states the cause in the most direct possible way, with "honestly" added as a simple spoken hedge rather than any deeper self-reflection -- this unembellished directness, naming nerves as the reason without exploring why, matches Band 6.5's instruction to answer plainly with "one clear reason" rather than layering in further analysis.
  • GRAI booked a few lessons with an instructor near the beach, but I kept cancelling because I felt embarrassed being a beginner as an adult.A coordinated "but" clause is followed by a single because-clause explaining the cancellations. This is one layer of subordination stacked onto one coordination, close to the upper limit of what the Band 6.5 grammar target allows ("a few basic complex ones"), without the additional embedded detail or varied connectors a Band 7.0 answer would likely add.
  • LRa little afraid of it"A little afraid" uses the simplest possible hedge-plus-adjective combination to describe fear, rather than a more specific word like "intimidated" or "uneasy" that a higher band might choose. This plainness is intentional at Band 6.5, where the descriptor explicitly discourages reaching for less-common vocabulary even when a more precise word is available.
Band 7.0

The answer gives a clear, developed reason for the ambition (apps don't last, but a book does) and admits a specific failure pattern — three abandoned drafts — showing more self-aware development than the 6.5 answer without the layered honesty of the 7.5 version.

The ambition that's been sitting unfinished for years is a children's picture book — text and illustrations both mine — built around the old ferry that used to carry people across the Hàn River in Da Nang before any of the bridges existed.

The concept itself is fairly clear in my head: a short book, maybe thirty pages, aimed at five-year-olds, following one ordinary school-day crossing through the eyes of a young girl, ending on the morning the ferry made its final run because the first bridge had just opened. I've interviewed a handful of elderly residents who actually used the ferry, and their recollections form most of the raw material.

Part of why this matters to me is professional frustration, if I'm honest — I design apps for a living, and nothing I build seems to survive more than a couple of years before it's rebuilt or replaced entirely. A physical book doesn't work that way; it can sit on a shelf for decades and get handed down. There's also something about wanting the ferry itself remembered somewhere, since there's no plaque or statue for it anywhere in the city, and the generation who rode it won't be around much longer.

I first had the idea nine years ago, when I was twenty-five, not long after a conversation with an old woman whose late husband had worked on the ferry. As for why it's still unfinished, the truthful answer is that I've abandoned three separate attempts, each time because the artwork didn't match what I could picture in my mind. Work always seems to take priority too, since this project has no client and no deadline pushing it forward. I've now given myself permission to start a fourth attempt and let it be genuinely rough, because that might be the only way it ever actually gets finished.

308 words · about 2 minutes

Why this band

  • FCPart of why this matters to me is professional frustration, if I'm honest"Part of why" signals that more than one reason is coming, setting up the layered explanation that follows (professional frustration, then the wish for the ferry to be remembered), while "if I'm honest" marks the admission as a genuine, slightly vulnerable disclosure rather than a rehearsed line. This combination of forward-signalling structure and spoken hedging is what makes the answer feel like it's actually being reasoned through in real time, which is the natural, developed fluency Band 7.0 targets over the single flat reason a Band 6.5 answer would likely give.
  • LRnothing I build seems to survive more than a couple of years before it's rebuilt or replaced entirelyRather than the plain word "temporary," the speaker builds the idea out through a small clause chain — "survive," "rebuilt," "replaced entirely" — that conveys the disposability of app design work through concrete, related verbs instead of one adjective. This kind of paraphrasing around an idea using ordinary but well-chosen words, instead of either a basic single word or a reached-for idiom, is exactly the flexible vocabulary Band 7.0 lexical resource rewards.
  • GRAI've now given myself permission to start a fourth attempt and let it be genuinely rough, because that might be the only way it ever actually gets finished.The sentence combines an infinitive construction, a because-clause and an embedded clause in one comfortable structure, showing the mixed complex grammar expected at Band 7.0.
Band 7.5

The answer's final admission — fear that finishing the book will prove he is 'a competent designer and an ordinary illustrator' — is a specific, self-critical insight rather than a generic excuse, the reflective honesty typical of Band 7.5.

The ambition I haven't achieved is to make a children's picture book — to write it and draw it myself — about the old ferry that used to cross the Hàn river in Da Nang before the bridges were built.

What the ambition is, exactly: a short book, thirty pages, for children of about five, telling the story of one day on the ferry as seen by a girl going to school on the other bank. The ferry, the day the first bridge opened and the ferry made its last crossing. I've talked to old people who rode it, and their memories are the material.

Why I want to achieve it is that I'm a designer of apps, and apps disappear. Every screen I've made for ten years has been replaced by another. A book stays on a shelf and gets read at bedtime by someone who'll remember it at forty, the way I remember the cricket book my mother read to me. I also want the ferry remembered; there's no monument to it, and the people who rode it are getting old. And there's a private reason — I want to know whether I can draw, properly, rather than only arrange.

How long I've had it: since I was twenty-five, so nine years. It began after a conversation with a ferryman's widow who lived on my street then.

Why I haven't achieved it yet is the uncomfortable part. I have three abandoned drafts. Each time, the drawings weren't good enough for the story in my head, so I stopped and decided to get better first. Work fills the time; the book has no deadline and no client, so it always loses. Honestly, I'm also afraid that finishing it will show that I'm a competent designer and an ordinary illustrator. This year I've promised myself a fourth draft that's allowed to be bad. That's the only version that will ever exist.

321 words · about 2 minutes

Why this band

  • LRA book stays on a shelf and gets read at bedtimeThe concrete, natural collocation 'gets read at bedtime' paints a precise image rather than relying on generic vocabulary, typical of Band 7.5 lexical resource.
  • GRAthe way I remember the cricket book my mother read to meThis clause is attached to the main sentence as an appositive comparison — "the way I remember X" — without its own connecting word like "just as" or "similar to," economically fusing the comparison onto "get read at bedtime... and remember it at forty" just before it. That kind of compressed, connector-free grammar, which still reads clearly and naturally, is a more sophisticated structural choice than the explicit "because" or "so" clauses a Band 7.0 answer would rely on, matching Band 7.5's target of flexible, economical complex grammar.
  • FCI'm also afraid that finishing it will show that I'm a competent designer and an ordinary illustrator.This sentence names a specific, uncomfortable fear — not vague self-doubt, but the precise worry that finishing the project will reveal a ceiling on the speaker's talent — and states it plainly rather than softening it. Volunteering this kind of genuinely risky, self-critical content, instead of staying with safer explanations like being "too busy," is the sustained reflective depth that separates Band 7.5 coherence from the single reflective aside typical of Band 7.0, which would be more likely to name only the external excuse (work, no deadline) and stop there.

How this card was asked, by exam period

  • Describe an ambition you haven't achieved yetMay–Aug 2026

Part 3 follow-up questions

These are the discussion questions examiners asked after this cue card. Sample answers are shown where available.

  1. 1. Do you think society generally rewards ambitious people in a fair way?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    Uses the plain contrastive 'but' and 'while' to hold the two designers' stories together, and closes with a short 'so' clause stating the conclusion directly.

    Not very fairly, I think. Two people I trained with were equally ambitious and talented, but one was born in Ho Chi Minh City with parents who knew people, while the other came from a village and spent five years catching up on things the first one already had. I think ambition is rewarded, but the reward depends a lot on where you started. Society also rewards ambition differently depending on the field, like founders getting more support than teachers. Luck and timing matter a lot too, so ambition alone isn't enough for success.

    Why this band

    • FCI think ambition is rewarded, but the reward depends a lot on where you started.A single 'but' clause states the main judgement plainly. The 7.5 answer fuses a similar idea directly onto the end of the anecdote with a dash instead, avoiding a separate sentence for the conclusion.
    • LRthe reward depends a lot on where you startedThis is workable but fairly plain phrasing. The 7.5 answer sharpens the same idea into 'the reward gets multiplied by where you started', replacing the vague 'depends on' with the more precise, almost mathematical verb 'multiplied'.
    • GRALuck and timing matter a lot too, so ambition alone isn't enough for success.A short 'so' clause draws the conclusion. The 7.5 answer expresses a related idea across two separate, more developed sentences — 'Ambition is necessary for the reward — it's far from sufficient, and the missing part is often inherited' — building a longer chain of reasoning.
    Band 7.0

    Uses 'yet' instead of a plain 'but' to link the two contrasting biographies, and adds the specific comparison between founders and teachers as its own dash-set-off example.

    Honestly, not very fairly, I'd say. Two people I trained with were equally ambitious and equally talented, yet one was born in Ho Chi Minh City with parents who knew the right people, while the other came from a village and spent five years catching up on things the first one had by eighteen. To be fair, ambition genuinely is rewarded, but the reward seems to get multiplied by where you started. Society also rewards ambition unevenly across fields — ambitious founders get capital and admiration, while ambitious teachers just get a slightly better classroom. I'd say luck and timing matter almost as much as effort does.

    Why this band

    • FCTo be fair, ambition genuinely is rewarded, but the reward seems to get multiplied by where you started.'To be fair' introduces the concession as a considered admission, a more connected move than the 6.5 answer's plainer 'I think ambition is rewarded, but...' opener.
    • LRget multiplied by where you started'Multiplied' is a more precise, almost mathematical verb for how starting position compounds the reward of ambition, a sharper word choice than a vaguer verb like 'depends on'.
    • GRASociety also rewards ambition unevenly across fields — ambitious founders get capital and admiration, while ambitious teachers just get a slightly better classroom.A dash introduces a two-part 'while' comparison inside one sentence, more elaborate than the 6.5 answer's simpler 'like founders getting more support than teachers' phrase.
    Band 7.5

    Closes with a compact, aphoristic two-part sentence — 'necessary for the reward... far from sufficient' — a rhetorical structure neither lower band builds toward.

    Not very fairly, no. Two people I trained with were equally ambitious and equally talented; one was born in Ho Chi Minh City with parents who knew people, and one came from a village and spent five years catching up on things the first one had at eighteen — ambition is rewarded, but the reward gets multiplied by where you started. Society also rewards ambition unevenly by field: ambitious founders get capital and admiration, ambitious teachers get a slightly better classroom. Luck and timing matter as much as effort, and the ambitious people who fail simply get forgotten, which makes the successful ones look more deserving than they really were. Ambition is necessary for the reward — it's far from sufficient, and the missing part is often inherited.

    Why this band

    • FCwhich makes the successful ones look more deserving than they really wereThis trailing clause adds a further layer of critique after the main observation about forgetting failed ambitions, a cohesive extension neither lower band includes after making the same basic point.
    • LRAmbition is necessary for the reward — it's far from sufficient, and the missing part is often inherited.This closing pair of clauses uses the precise, almost formal vocabulary of 'necessary' and 'sufficient' as a matched contrast, a more abstract and deliberate word choice than either lower band's plainer concluding sentence.
    • GRAone was born in Ho Chi Minh City with parents who knew people, and one came from a village and spent five years catching up on things the first one had at eighteen — ambition is rewarded, but the reward gets multiplied by where you started.The dash fuses the entire two-person comparison directly onto the general claim within one long sentence, a tighter connection than the 6.5 and 7.0 answers, which both keep the anecdote and the conclusion in separate sentences.
  2. 2. What do people gain from having high aspirations and ambitions?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    Uses the plain contrastive 'but' at the start of the anecdote and closes with a short 'but' sentence naming the trade-off directly.

    I think people gain more than they might lose, even if the goal itself isn't reached yet. My picture book still doesn't exist, but it has already given me nine years of drawing practice and conversations with older people I'd never have met otherwise. High aspirations give life a direction, so people keep improving instead of settling. They push people to try things beyond their current ability, which is really the only way ability grows. They also make setbacks feel bearable, since one failure inside a bigger goal is just a small step. The cost is some anxiety, but I think most people would take that trade.

    Why this band

    • FCMy picture book still doesn't exist, but it has already given me nine years of drawing practice and conversations with older people I'd never have met otherwise.The plain 'but' opens the anecdote directly as a contrast. The 7.5 answer instead fuses the whole anecdote onto a longer list with a dash before naming the conclusion — 'the ambition has paid off before it's even been fulfilled' — a more integrated structure.
    • LRone failure inside a bigger goal is just a small stepThis is workable but plain phrasing. The 7.5 answer sharpens 'bigger goal' into the more precise 'larger purpose', and adds 'along the way' at the end, giving the same idea a slightly more polished shape.
    • GRAThe cost is some anxiety, but I think most people would take that trade.A short 'but' sentence closes the answer. The 7.5 answer extends a similar idea across two clauses — 'The costs are anxiety and the occasional disappointment — most people, I'd guess, would still take that trade' — adding a second cost and a softening hedge.
    Band 7.0

    Adds the phrase 'not the whole story' onto the point about setbacks, extending a single clause into a small contrastive pair that the plainer version doesn't include.

    Honestly, I think people gain more than they lose, even before the goal itself is achieved. My picture book still doesn't exist, and yet it's already produced nine years of drawing practice and conversations with older people I'd never otherwise have met. To be fair, high aspirations give life a direction and a standard, so a person keeps improving rather than simply settling. They also push people to attempt things beyond their current ability, which is honestly the only way ability actually grows. And they make setbacks more bearable, since a failure inside a larger purpose is just one step, not the whole story. The cost is some anxiety and the occasional disappointment, but I'd say most people would still take that trade.

    Why this band

    • FCAnd they make setbacks more bearable, since a failure inside a larger purpose is just one step, not the whole story.The connector 'And' opens this sentence, continuing a chain of parallel points ('They also push...', 'And they make...'), a slightly more fluent list-building device than the 6.5 answer's simpler repeated 'They' sentences.
    • LRa larger purposeThis is a more precise, slightly formal noun phrase than the plainer 'a bigger goal' used at 6.5 for the same idea.
    • GRAMy picture book still doesn't exist, and yet it's already produced nine years of drawing practice and conversations with older people I'd never otherwise have met.The connector 'and yet' replaces the 6.5 answer's simple 'but', a slightly more formal and emphatic way of marking the same contrast between the unfinished book and its real benefits.
    Band 7.5

    Opens with the fronted fragment 'Even unachieved, I'd say', answering the question before the full sentence structure even begins, a bolder opening than either lower band's complete subject-first sentence.

    Even unachieved, I'd say, more than they lose. My picture book doesn't exist, and yet it has produced nine years of drawing practice, conversations with old people I'd never have met, and a reason to look at the river every morning — the ambition has paid off before it's even been fulfilled. High aspirations give life a direction and a standard, so a person keeps improving rather than settling for less. They push people to attempt things beyond their current ability, which is really the only way ability ever grows, and they make setbacks bearable, since a failure inside a larger purpose is just a step along the way. They also create a story a person can tell about themselves. The costs are anxiety and the occasional disappointment — most people, I'd guess, would still take that trade.

    Why this band

    • FCthe ambition has paid off before it's even been fulfilledThis dash-fused closing phrase draws the paradox of the whole anecdote into a single compact clause, a more integrated cohesive device than the 6.5 and 7.0 answers, which state the anecdote and its lesson in separate parts of the sentence.
    • LRa reason to look at the river every morningThis is a precise, evocative detail that neither lower band includes at all — both stop their list of gains at 'conversations with older people', missing this more personal, sensory addition.
    • GRAThey push people to attempt things beyond their current ability, which is really the only way ability ever grows, and they make setbacks bearable, since a failure inside a larger purpose is just a step along the way.Two parallel 'which' and 'since' clauses are chained together with 'and' into one long sentence, the most layered version of this idea across the three bands, compared to the 7.0 answer's two separate 'They' sentences.
  3. 3. Why are some people ambitious at work?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    Introduces each person's motive with a plain 'because' clause, repeating the same short pattern three times before generalising at the end.

    I think it's for different reasons, and they're rarely the ones on a CV. Đức, for example, is ambitious because he grew up poor and never wants to feel that way again. Linh is ambitious because she genuinely cares whether patients can understand their results. A former boss of mine once admitted he was ambitious because his father wasn't, and he'd watched what that cost the family growing up. Money, security and status drive a lot of people too. Some just love the work and ambition is simply wanting more of it. I think workplace ambition looks like one thing from outside, but it's usually a private story underneath.

    Why this band

    • FCĐức, for example, is ambitious because he grew up poor and never wants to feel that way again.'For example' opens this first case plainly. The 7.5 answer removes this connector entirely and simply states each person's motive as its own short sentence, letting the list flow without an explicit signpost.
    • LRhe'd watched what that cost the family growing upThis is plain, adequate phrasing. The 7.5 answer condenses a similar idea to 'he'd spent his childhood watching what that cost', a more economical and slightly more literary way of saying the same thing.
    • GRAI think workplace ambition looks like one thing from outside, but it's usually a private story underneath.A single 'but' clause closes the answer. The 7.5 answer extends the ending with two further short sentences about competitiveness and proving something to someone, before reaching a nearly identical final judgement — a longer chain of reasoning before the same conclusion.
    Band 7.0

    Links Đức's and Linh's motives inside one 'while' sentence rather than two separate ones, and inserts 'he once admitted' as a small aside breaking up the sentence about the former boss.

    Honestly, I think it's for quite different reasons, and they're rarely the ones written on a CV. Đức, for instance, is ambitious because he grew up poor and never wants to feel that way again, while Linh is ambitious because she genuinely cares whether patients can actually read their own results. A former boss of mine, he once admitted, was ambitious because his father never was, and he'd spent his childhood watching what that cost the family. To be fair, money, security and status drive plenty of people too, and some simply love the work, so ambition is just wanting more of it. I'd say workplace ambition looks like one thing from the outside, but it's almost always a private story underneath.

    Why this band

    • FCA former boss of mine, he once admitted, was ambitious because his father never wasThe aside 'he once admitted' is dropped into the middle of the sentence between commas, a more natural spoken placement than the 6.5 answer's plainer 'once admitted he was ambitious' construction.
    • LRhe'd spent his childhood watching what that cost the familyThis phrasing frames the experience as an extended period rather than a single act of watching, a slightly more vivid way of putting it than the 6.5 answer's 'he'd watched what that cost the family growing up'.
    • GRAĐức, for instance, is ambitious because he grew up poor and never wants to feel that way again, while Linh is ambitious because she genuinely cares whether patients can actually read their own results.The subordinator 'while' links two separate 'because' clauses about two different people into a single sentence, more complex than the 6.5 answer's two separate short sentences making the same two points.
    Band 7.5

    Opens with the fragment 'For different reasons' rather than a full sentence, and adds two further short cases (competitiveness, proving something to someone) that neither lower band includes.

    For different reasons, and they're rarely the ones on the CV. Đức is ambitious because he grew up poor and never wants to feel that again. Linh is ambitious because she genuinely cares whether patients can read their results. A former boss was ambitious, he once admitted, because his father never was, and he'd spent his childhood watching what that cost. Money, security and status drive many people; some simply love the work, and ambition is just wanting more of it. Others are competitive, and the workplace is where the scoreboard happens to be. Some, honestly, are still proving something to a person who isn't even watching anymore. Work ambition looks like one thing from outside and is usually a private story underneath.

    Why this band

    • FCSome, honestly, are still proving something to a person who isn't even watching anymore.This additional case, inserted with the hedge 'honestly' mid-clause, extends the list of motives one step further than either lower band, which stop after money, status, and loving the work.
    • LRthe workplace is where the scoreboard happens to be'Scoreboard' is a vivid, figurative noun for competitive ranking that neither lower band reaches for, both settling for the more literal 'money, security and status'.
    • GRAMoney, security and status drive many people; some simply love the work, and ambition is just wanting more of it.A semicolon joins the first clause to a further coordinated pair without a connector, a more compact structure than the 6.5 and 7.0 answers' separate sentences covering the same two points.
  4. 4. What do you think the world would lose if there were no ambitious people?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    Chains a series of short, plain sentences beginning 'The world would also lose...' and 'It would lose...', repeating the same subject-verb pattern through the middle of the answer.

    I think the world would lose the bridges, and everything like them. Three bridges now cross the river where a ferry used to run, and each one was someone's ambition against a lot of sensible doubt. Without ambitious people, my city would probably still be waiting for a boat. The world would also lose most invention, most medicine, and most art that takes years to make, along with institutions that somebody had to be stubborn enough to found. It would lose momentum too, since things would get maintained but never improved. Some of what we'd lose is actually bad, since wars are also ambitions, so a fully content world might be gentler, but it would also be stuck.

    Why this band

    • FCThe world would also lose most invention, most medicine, and most art that takes years to makeThe repeated subject 'The world would' opens two consecutive sentences plainly. The 7.5 answer varies this by dropping the subject in the equivalent sentence and starting directly with 'The world would lose most invention...' only once, using a colon later to avoid repeating the same sentence opener.
    • LRinstitutions that somebody had to be stubborn enough to found'Stubborn' is a reasonable but slightly negative-sounding adjective. The 7.0 and 7.5 answers use 'unreasonable enough to found' instead, a more deliberately paradoxical and idiomatic word choice for describing founders.
    • GRASome of what we'd lose is actually bad, since wars are also ambitions, so a fully content world might be gentler, but it would also be stuck.A chain of 'since... so... but' clauses is packed into one long sentence. The 7.5 answer achieves a similar chain but sets 'wars are also ambitions' off with dashes as a self-contained aside, a different and slightly tighter way of inserting the same qualification.
    Band 7.0

    Fuses the bridge anecdote and its conclusion into one sentence with a dash, rather than the 6.5 answer's two separate sentences for the same content.

    Honestly, I think it's the bridges, and everything like them. Three bridges now cross the river where a ferry once ran, and each one was somebody's ambition set against a great deal of sensible doubt — without ambitious people, my city would probably still be waiting for a boat. The world would also lose most invention, most medicine, and most art that took years to make, plus the institutions somebody had to be unreasonable enough to actually found. It would lose momentum too, since things would keep being maintained but never improved. To be fair, some of what we'd lose is genuinely bad — wars are also ambitions — so a fully content world might be gentler, though it would also be permanently stuck.

    Why this band

    • FCTo be fair, some of what we'd lose is genuinely bad — wars are also ambitions — so a fully content world might be gentler, though it would also be permanently stuck.'To be fair' introduces this final concession as a considered point, a more connected move than the 6.5 answer's plainer 'Some of what we'd lose is actually bad...' opener with no hedge.
    • LRunreasonable enough to actually found'Unreasonable' is a more deliberately paradoxical word choice than the 6.5 answer's plainer 'stubborn', capturing the idea that founders often act against sensible advice.
    • GRAThree bridges now cross the river where a ferry once ran, and each one was somebody's ambition set against a great deal of sensible doubt — without ambitious people, my city would probably still be waiting for a boat.The dash fuses the anecdote directly to its conclusion within one long sentence, more integrated than the 6.5 answer's two separate sentences making the same two points.
    Band 7.5

    Closes by turning the argument back onto the writer's own ambition, a reflective final move neither lower band makes after listing what the world would lose.

    The bridges, and everything like them. Three bridges cross the river where the ferry once ran, and each one was someone's ambition against a great deal of sensible doubt; without ambitious people, my city would still be waiting for a boat. The world would lose most invention, most medicine, most art that took years to make, and the institutions that somebody had to be unreasonable enough to found. It would lose momentum too: things would be maintained but not improved. Some of what we'd lose is admittedly bad — wars are also ambitions — and a world of pure contentment would be gentler in some ways. But it would also be permanently stuck, and I notice the same ambition that ended the ferry is the one that makes me want to write my own book.

    Why this band

    • FCand I notice the same ambition that ended the ferry is the one that makes me want to write my own bookThis closing clause connects the world-scale argument back to the writer's own personal ambition, a reflective cohesive move that neither lower band attempts — both stop at the general observation about the world.
    • LRa world of pure contentment would be gentler in some ways'Pure contentment' is a more precise, almost philosophical phrase than the plainer 'fully content world' used at 6.5 and 7.0 for the same idea.
    • GRAIt would lose momentum too: things would be maintained but not improved.The colon introduces a short explanatory clause directly, a more economical device than the 6.5 and 7.0 answers' 'since' clauses making the same point.
  5. 5. How important is it for children to have ambitions?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    States the closing rule in a short, direct sentence ('It goes wrong when...') rather than building toward it with extra qualifying detail.

    I think it's important, as long as nobody takes it too seriously. My niece's current ambition is to be the drummer on a dragon boat, which is silly and specific, but it's made her practise, for the first time, at something with no exam attached. I think that's exactly what ambitions do for children, they turn effort into play. Children with ambitions, however strange, learn to connect today's work with tomorrow's result, which is a skill even many adults never really manage. The ambition itself will probably change many times, and that's completely fine. It goes wrong when the ambition actually belongs to the parents instead.

    Why this band

    • FCI think that's exactly what ambitions do for children, they turn effort into play.This uses a comma splice-like structure joining two clauses loosely. The 7.5 answer instead uses a colon after a dash — 'that's exactly what ambitions do for children: they turn effort into play' — a punctuation choice that more clearly signals the explanation that follows.
    • LRit's made her practise, for the first time, at something with no exam attachedThis phrase is reused closely across all three bands, but the 7.0 answer adds the intensifier 'oddly specific' to describe the ambition itself, a small but deliberate upgrade in precision over the 6.5 answer's plain 'silly and specific'.
    • GRAIt goes wrong when the ambition actually belongs to the parents instead.A short single-clause sentence closes the answer. The 7.5 answer extends the ending with a further 'or when' clause about a single ambition becoming the only acceptable future, adding a second condition the 6.5 answer's shorter version leaves out.
    Band 7.0

    Uses the fronted construction 'Where it goes wrong is when...' instead of the plainer 'It goes wrong when...', giving the closing rule a slightly more formal, essay-like shape.

    Honestly, I think it's important, as long as nobody takes it too seriously. My niece's current ambition is to be the drummer on a dragon boat, which is silly and oddly specific, and it's made her practise, for the first time, at something with no exam attached at all. To be fair, that's really what ambitions do for children — they turn ordinary effort into something closer to play. Children with ambitions, however strange they are, learn to connect today's work to tomorrow's result, a skill many adults genuinely never manage. The ambition itself will probably change ten times over, and that's completely fine. Where it goes wrong is when the ambition actually belongs to the parents, and the child is just the vehicle for it.

    Why this band

    • FCTo be fair, that's really what ambitions do for children — they turn ordinary effort into something closer to play.'To be fair' introduces this generalisation as a considered point, a more connected move than the 6.5 answer's plainer 'I think that's exactly what ambitions do for children' opener.
    • LRsomething closer to play'Closer to' is a more precise, hedged phrase than the plain 'into play' at 6.5, suggesting a gradual, partial transformation rather than a complete one.
    • GRAWhere it goes wrong is when the ambition actually belongs to the parents, and the child is just the vehicle for it.The fronted 'Where it goes wrong is when...' construction is a more formal cleft-sentence structure than the 6.5 answer's plain 'It goes wrong when...' opener, and adds a further coordinated clause about the child being 'the vehicle'.
    Band 7.5

    Ends with two parallel 'when' clauses joined by 'or', naming two distinct ways ambition can go wrong for a child rather than just one.

    Important, provided nobody takes it too seriously. My niece's current ambition is to be the drummer on a dragon boat, which is silly and specific and has made her practise, for the first time, at something with no exam attached — that's exactly what ambitions do for children: they turn effort into play. Children with ambitions, however strange, learn to connect today's work to tomorrow's result, a skill many adults never quite manage. The ambition itself will change ten times over, and that's entirely fine; what matters is the experience of wanting something and working toward it. Where it goes wrong is when the ambition is really the parents' and the child is merely the vehicle, or when a single ambition gets treated as the only acceptable future.

    Why this band

    • FCthat's exactly what ambitions do for children: they turn effort into playThe colon here introduces the explanation directly after the dash-fused anecdote, a tighter cohesive chain than the 7.0 answer's separate 'To be fair' sentence making a similar point.
    • LRthe child is merely the vehicle'Merely' adds a note of quiet judgement to 'the vehicle' that neither lower band's plainer 'just the vehicle' quite carries.
    • GRAWhere it goes wrong is when the ambition is really the parents' and the child is merely the vehicle, or when a single ambition gets treated as the only acceptable future.Two parallel 'when' clauses are joined by 'or' within the fronted cleft structure, a longer and more layered sentence than the 7.0 answer's single 'when' clause covering only one of the two conditions.
  6. 6. What kinds of ambitions do children often have when they are young?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    Closes with a comma-joined chain ('the ambition is basically a costume, and it changes weekly, which I think is exactly right') rather than splitting the final idea into shorter, separate sentences.

    My sister asks her class every year, and the list barely changes: footballer, doctor, teacher, police officer, and these days, YouTuber, which has basically replaced astronaut. One child last year said they wanted to be 'the person who drives the ferry', which I took a little personally. I think young children's ambitions are mostly about visible jobs, the ones they've actually seen and can imagine doing, and about heroes, which is why athletes and singers show up so early. Many children just want to be like a parent, or sometimes the opposite. At six, the ambition is basically a costume, and it changes weekly, which I think is exactly right.

    Why this band

    • FCOne child last year said they wanted to be 'the person who drives the ferry', which I took a little personally.'Said they wanted to be' is a plain reporting structure. The 7.5 answer condenses this to the simpler 'wanted to be', trimming the reporting verb for a slightly more direct, essay-like tone.
    • LRwhich has basically replaced astronaut'Basically' is a fairly casual hedge. The 7.5 answer drops it for the plainer, more confident 'which has replaced astronaut', a small but deliberate move toward more assured phrasing.
    • GRAI think young children's ambitions are mostly about visible jobs, the ones they've actually seen and can imagine doing, and about heroes, which is why athletes and singers show up so early.A long comma-chained sentence links several ideas loosely. The 7.5 answer restructures a similar idea using a dash to set off the defining clause ('the ones they've seen and can imagine doing'), a tighter and more controlled way of inserting the same explanation.
    Band 7.0

    Adds the self-aware admission 'which I admittedly took a little personally', inserting the hedge 'admittedly' where the 6.5 answer only has the plainer 'a little'.

    Honestly, my sister asks her class every year, and the list barely changes: footballer, doctor, teacher, police officer, and these days, YouTuber, which has more or less replaced astronaut. One child last year even said they wanted to be 'the person who drives the ferry', which I admittedly took a little personally. To be fair, young children's ambitions are mostly about visible jobs — the ones they've actually seen and can imagine themselves doing — and about heroes, which is why athletes and singers appear so early. Many children want to be exactly what a parent is, or sometimes the complete opposite. At six, I'd say, the ambition is basically a costume, and it changes weekly, which is exactly right at that age.

    Why this band

    • FCTo be fair, young children's ambitions are mostly about visible jobs'To be fair' introduces the generalisation as a considered point, a more connected move than the 6.5 answer's plainer 'I think young children's ambitions are...' opener.
    • LRwhich has more or less replaced astronaut'More or less' is a natural spoken hedge softening the claim, a slightly more careful phrasing than the 6.5 answer's plainer 'basically replaced'.
    • GRAyoung children's ambitions are mostly about visible jobs — the ones they've actually seen and can imagine themselves doing — and about heroes, which is why athletes and singers appear so early.Two dashes set off the defining clause about visible jobs, a tighter structure than the 6.5 answer's comma-chained version of the same explanation.
    Band 7.5

    Adds an entirely new category — 'ambitions about states rather than jobs' — introduced with a colon, which neither lower band includes at all.

    My sister asks her class every year, and the list barely changes: footballer, doctor, teacher, police officer, and, these days, YouTuber, which has replaced astronaut. One child last year wanted to be 'the person who drives the ferry', which I took personally. Young children's ambitions are about visible jobs — the ones they've seen and can imagine doing — and about heroes, which is why athletes and singers appear early. Many want to be what a parent is, or the opposite. Some ambitions are about states rather than jobs: being rich, being famous, having a dog. The realistic ones come later. At six, the ambition is a costume, and the costume changes weekly, and that's exactly right.

    Why this band

    • FCSome ambitions are about states rather than jobs: being rich, being famous, having a dog.This whole additional category, introduced with a colon, is a cohesive addition neither lower band makes — both stop after visible jobs and heroes, without distinguishing ambitions-as-jobs from ambitions-as-states.
    • LRThe realistic ones come later.This short, almost aphoristic sentence economically implies a whole developmental arc in four words, a more compact evaluative statement than anything either lower band attempts at this point in the answer.
    • GRAAt six, the ambition is a costume, and the costume changes weekly, and that's exactly right.Repeating the noun 'costume' rather than replacing it with a pronoun, then chaining two 'and' clauses together, creates a deliberate rhetorical rhythm — a more stylistically controlled sentence than the 6.5 and 7.0 answers' single 'and it changes weekly, which...' version.
  7. 7. Do you agree or disagree that ambition at work can sometimes cause problems?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    Uses the plain 'so' clause to link the launch decision to its result, and closes with a single 'since' clause explaining why ambition itself isn't the real problem.

    I agree, and I've had to clean up after it. A manager at a previous studio was determined to launch before a competitor, so we launched a product that didn't really work, and the six months of repairs afterwards cost more than six weeks of patience would have. I think ambition causes problems when it's really for the person rather than the work, since colleagues become rivals and corners get cut where nobody notices until later. It also burns out the ambitious people themselves, and the people who work for them. None of this makes ambition bad, though, since the same manager also built two genuinely excellent products.

    Why this band

    • FCNone of this makes ambition bad, though, since the same manager also built two genuinely excellent products.The trailing 'though' softens the closing concession. The 7.5 answer achieves the same function with a semicolon-free short sentence — 'None of this makes ambition bad; the same manager built two genuinely excellent products' — punctuated slightly differently for a more compact effect.
    • LRcost more than six weeks of patience would haveThis comparison is already fairly natural. The 7.0 answer intensifies it slightly with 'cost far more than', adding an intensifier that the 6.5 answer's plainer version omits.
    • GRAI think ambition causes problems when it's really for the person rather than the work, since colleagues become rivals and corners get cut where nobody notices until later.A 'when... since' chain links cause and explanation in one sentence. The 7.5 answer expresses a similar idea with a colon instead of 'since', introducing the list of consequences ('colleagues become rivals, credit gets taken, corners get cut') even more directly.
    Band 7.0

    Extends the list of consequences to three items joined by dashes ('colleagues become rivals, credit gets taken, and corners get cut') instead of the 6.5 answer's two-item version with 'since'.

    Honestly, I agree, and I've personally cleaned up after it. A manager at a previous studio was determined to launch before a competitor, so we ended up launching a product that didn't actually work, and the six months of repairs afterwards cost far more than six weeks of patience would have. To be fair, ambition causes real problems mainly when it's for the person rather than the work — colleagues become rivals, credit gets taken, and corners get cut where nobody notices until much later. It also burns out the ambitious people themselves, along with everyone who works for them. None of this makes ambition inherently bad, though, since that same manager went on to build two genuinely excellent products afterwards.

    Why this band

    • FCTo be fair, ambition causes real problems mainly when it's for the person rather than the work'To be fair' introduces this claim as a considered qualification, a more connected move than the 6.5 answer's plainer 'I think ambition causes problems when...' opener.
    • LRwent on to build two genuinely excellent products afterwards'Went on to' is a more idiomatic way of describing a later achievement than the plainer 'also built' used at 6.5.
    • GRAambition causes real problems mainly when it's for the person rather than the work — colleagues become rivals, credit gets taken, and corners get cut where nobody notices until much later.The dash introduces a three-item list of consequences joined by commas and 'and', a longer and more developed structure than the 6.5 answer's shorter two-item version linked with 'since'.
    Band 7.5

    Closes with the quotable phrase 'a few people brave enough to say ‘not yet’', naming a concrete solution rather than just restating that ambition needs balance.

    Agree, and I've cleaned up after it. A manager at a previous studio was determined to launch before a competitor, so we launched a product that didn't work, and the six months of repairs cost more than the six weeks of patience would have — ambition with a deadline attached can override judgement entirely. Ambition causes problems when it's for the person rather than the work: colleagues become rivals, credit gets taken, corners get cut where nobody will notice until later. It also burns out the ambitious themselves, and the people who work for them. None of this makes ambition bad; the same manager built two genuinely excellent products. It just makes ambition something that needs honesty, and a few people brave enough to say 'not yet'.

    Why this band

    • FCIt just makes ambition something that needs honesty, and a few people brave enough to say 'not yet'.This closing sentence proposes a solution — honest people willing to slow things down — a cohesive move beyond the 6.5 and 7.0 answers, which both stop after excusing ambition itself as not inherently bad.
    • LRambition with a deadline attached can override judgement entirelyThis is a precise, almost aphoristic diagnosis of exactly what went wrong, more analytical than either lower band's plainer description of the launch decision and its cost.
    • GRAAmbition causes problems when it's for the person rather than the work: colleagues become rivals, credit gets taken, corners get cut where nobody will notice until later.The colon introduces the list of three consequences directly, without 'and' between the second and third items, a more compressed parallel structure than the 7.0 answer's comma-and-'and' list.
  8. 8. What qualities do ambitious people need to succeed in the workplace?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    Repeats the word 'matters' at the start of four separate sentences, a clear but fairly mechanical way of listing each quality.

    I think patience matters most, which sounds like the opposite of ambition but really isn't. Linh's willingness to rehearse a talk eleven times is what turned her ambition into something real, while ambitious people who fail usually just wanted the result without doing the repetitions. Beyond that, competence obviously matters, since wanting something isn't actually a skill. The ability to work with people matters too, because almost nothing gets achieved alone, and ambitious people who make enemies find every door closed. Honesty also matters, so colleagues can trust the ambition isn't aimed at them. I think talent helps, but patience and people matter more.

    Why this band

    • FCBeyond that, competence obviously matters, since wanting something isn't actually a skill.'Beyond that' is a simple transitional phrase moving to the next quality. The 7.5 answer drops this connector entirely, using a bare colon after 'Beyond that:' to launch straight into the next quality without a full linking sentence.
    • LRfind every door closedThis idiom is used almost identically across the bands. The real variation is in the surrounding vocabulary: the 6.5 answer says people 'make enemies', while the 7.5 answer keeps the same phrase, showing that even at 6.5 this particular idiom is already within reach.
    • GRAI think talent helps, but patience and people matter more.A short 'but' sentence closes the answer. The 7.5 answer splits this into two separate short sentences — 'Talent helps. Patience and people matter more.' — a more clipped, deliberate rhythm than the single joined sentence at 6.5.
    Band 7.0

    Adds small intensifying phrases like 'along the way' and 'eventually' onto otherwise similar sentences, giving the same ideas a slightly more developed, considered feel.

    Honestly, I think patience matters most, which sounds like the opposite of ambition and genuinely isn't. Linh's willingness to rehearse a talk eleven times is really what turned her ambition into something real, while the ambitious people who fail are usually the ones who wanted the result without the actual repetitions. Beyond that, competence obviously matters, since wanting something on its own isn't a skill. The ability to work with people matters just as much, because almost nothing is achieved entirely alone, and ambitious people who make enemies along the way find every door eventually closed. Honesty matters too, so colleagues can trust that the ambition isn't secretly aimed at them. Talent helps, I'd say, but patience and people matter more in the end.

    Why this band

    • FCThe ability to work with people matters just as much, because almost nothing is achieved entirely alone'Just as much' explicitly ranks this quality against the previous one, a more connected comparative move than the 6.5 answer's plainer 'The ability to work with people matters too'.
    • LRwanted the result without the actual repetitionsThe added adjective 'actual' emphasises the gap between wanting an outcome and doing the real work, a slightly sharper phrasing than the 6.5 answer's plainer 'without doing the repetitions'.
    • GRAambitious people who make enemies along the way find every door eventually closedThe inserted phrases 'along the way' and 'eventually' add temporal texture to an otherwise identical clause structure, a small refinement over the 6.5 answer's flatter version of the same sentence.
    Band 7.5

    Drops full subject-verb sentences for most of the list, instead naming each quality as a fragment followed by its justification, a bolder and more compressed structure than either lower band attempts.

    Patience, above all, which sounds like the opposite of ambition and isn't. Linh's willingness to rehearse a talk eleven times is what turned her ambition into something real; the ambitious people who fail are usually the ones who wanted the result without the repetitions. Beyond that: competence, obviously, since wanting something isn't a skill. The ability to work with people, because almost nothing is achieved alone, and ambitious people who make enemies find every door closed. Honesty, so that colleagues trust the ambition isn't aimed at them. Resilience, since ambitious people fail more often simply by attempting more. And judgement about which ambitions are worth the cost. Talent helps. Patience and people matter more.

    Why this band

    • FCBeyond that: competence, obviously, since wanting something isn't a skill.The colon after 'Beyond that' launches straight into the next quality as a fragment, without a full linking sentence — a more compressed transition than the 6.5 and 7.0 answers' complete 'competence obviously matters' sentences.
    • LRResilience, since ambitious people fail more often simply by attempting more.This quality — resilience — is an addition neither lower band includes at all, along with the precise explanation that failing more often is simply a consequence of attempting more.
    • GRATalent helps. Patience and people matter more.Two short, clipped sentences replace the single longer 'but' sentence both lower bands use to close, a more deliberate, aphoristic rhythm achieved through fragmentation rather than coordination.
  9. 9. Do you agree or disagree that being too ambitious may not be good for children?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    Uses commas to chain the three 'said so' clauses together loosely, rather than separating the boy's ambition into its own more compact structure.

    I agree, and I think of a boy from my class in Hue. At eight he was going to be a surgeon, his parents said so, his teachers said so, and he said so too, and at fourteen one bad maths mark broke something in him that I don't think was ever fully repaired. I think the ambition had become his whole identity, and it had no room left for failure. Ambition in children should be large and loose, more like a direction than a contract. When it becomes rigid, it produces anxiety and a fear of even trying. Children need to be allowed to want things badly and still lose them sometimes without it meaning the end.

    Why this band

    • FCI think the ambition had become his whole identity, and it had no room left for failure.This is a plain, separate sentence stating the diagnosis. The 7.5 answer fuses a nearly identical diagnosis directly onto the anecdote sentence using 'because', avoiding a new sentence for the same idea.
    • LRone bad maths mark broke something in himThis phrase is used closely across all three bands, but the surrounding description shifts: 6.5 says it 'was ever fully repaired', while 7.5 uses the plainer, slightly more understated 'was ever repaired', trimming the intensifier for a more controlled tone.
    • GRAAt eight he was going to be a surgeon, his parents said so, his teachers said so, and he said so too, and at fourteen one bad maths mark broke something in him that I don't think was ever fully repaired.A long chain of comma-joined clauses runs through this sentence without much internal punctuation variety. The 7.5 answer punctuates a similar list with dashes to set off the repeated 'said so' clauses more clearly, giving the sentence more visible structure.
    Band 7.0

    Sets the three 'said so' clauses off between dashes rather than commas, and extends the list of what rigid ambition produces to three items instead of two.

    Honestly, I agree, and I think of a boy from my class in Hue. At eight he was going to be a surgeon — his parents said so, his teachers said so, he said so himself — and at fourteen one bad maths mark broke something in him that I don't think was ever properly repaired. To be fair, the ambition had become his entire identity by then, and it simply had no room for failure. Ambition in children should stay large and loose — a direction, not a contract. When it becomes rigid instead, it produces anxiety, a fear of even trying, and a childhood spent as preparation rather than as childhood itself. Children need to be allowed to want things badly and lose them without it meaning the end.

    Why this band

    • FCTo be fair, the ambition had become his entire identity by then, and it simply had no room for failure.'To be fair' introduces the diagnosis as a considered judgement, a more connected move than the 6.5 answer's plainer 'I think the ambition had become his whole identity...' opener.
    • LRa childhood spent as preparation rather than as childhood itselfThis is a precise, almost paradoxical phrase — 'childhood... rather than... childhood' — that neither the 6.5 answer includes at all, which stops its list at 'anxiety and a fear of even trying'.
    • GRAWhen it becomes rigid instead, it produces anxiety, a fear of even trying, and a childhood spent as preparation rather than as childhood itself.A three-item list follows the 'when' clause, longer than the 6.5 answer's two-item version of the same list, adding the extra clause about childhood as preparation.
    Band 7.5

    Closes with the compact final sentence 'Too much ambition, too early, takes that permission away', echoing the earlier word 'allowed' from a distance to tie the whole answer together.

    Agree, and I think of a boy from my class in Hue. At eight he was going to be a surgeon — his parents said so, his teachers said so, he said so — and at fourteen one bad maths mark broke something in him that I don't think was ever repaired, because the ambition had become his entire identity and it had no room for failure. Ambition in children should be large and loose: a direction, not a contract. When it becomes rigid, it produces anxiety, fear of trying, and a childhood spent as preparation rather than as childhood. Children need to be allowed to want things badly and to lose them without it meaning the end. Too much ambition, too early, takes that permission away.

    Why this band

    • FCToo much ambition, too early, takes that permission away.This closing sentence deliberately echoes the earlier word 'allowed' with 'permission', tying the ending back to an idea stated two sentences before — a cohesive callback neither lower band attempts.
    • LRthe ambition had become his entire identity and it had no room for failureFusing this diagnosis directly onto the anecdote with 'because', rather than stating it as a separate sentence, is a more economical way of connecting cause and consequence than either lower band's separate diagnostic sentence.
    • GRAAmbition in children should be large and loose: a direction, not a contract.The colon introduces a compact appositive pair ('a direction, not a contract') directly, a more economical structure than the 7.0 answer's dash-set-off version of the same phrase.

Frequently asked questions

How long should my answer to this Part 2 cue card be?
Speak for 1 to 2 minutes. The examiner will stop you at 2 minutes, so aim for roughly 220-300 words that cover every bullet on the card and end with how you feel about it.
What Part 3 questions follow this cue card?
After "An Ambition You Haven't Achieved Yet", examiners have asked 9 follow-up discussion questions, listed above. They move from your personal story to general opinions on the same theme.
Is this cue card still being used?
It was most recently reported by test-takers in May–Aug 2026. Cue cards rotate every four months, and many topics return in later seasons with slightly different wording.
IELTS Speaking Part 2: An Ambition You Haven't Achieved Yet — Cue Card, Sample Answer & Part 3 | Ieltsa