IELTS Speaking Part 2

A Place in the Countryside You Enjoyed Visiting

Most recently asked in May–Aug 2026

The cue card

Describe a place in the countryside that you enjoyed visiting

You should say:

  • where you went in the countryside
  • why you went to this place in the countryside
  • what you saw and did there
  • and explain why you enjoyed visiting this place in the countryside

Sample answers: Band 6.5, 7.0 & 7.5

Three versions of the same answer, each written to sit genuinely at that band — compare them to see exactly what separates the scores.

Band 6.5

The 6.5 answer states its reasons plainly ('It was so quiet and different from my normal life') and lists sensory details without much elaboration, typical of straightforward Band 6.5 description.

The countryside place I want to talk about is a small vegetable farm in Hòa Vang district, which is about forty minutes from my apartment in Da Nang.

I went there during Tet last year, because my friend Quân invited me to visit his family's farm instead of staying in the city for the holiday. I had never really seen a working farm before, so I said yes straight away.

While I was there, I saw rows and rows of vegetables, like lettuce and green onions, and I helped Quân's family water the plants and pick some vegetables for lunch. In the afternoon, we sat outside under a big tree and ate a simple meal made almost entirely from things grown right there on the farm. His grandmother also showed me how to feed the chickens, which I found surprisingly fun.

I enjoyed visiting this place because it was so quiet and different from my normal life. There was no traffic noise, no phone notifications, just green fields and fresh air. The food tasted better than anything I usually eat in the city too. I would definitely like to go back sometime, maybe for the next harvest.

197 words · about 2 minutes

Why this band

  • FCI went there during Tet last year, because my friend Quân invited me to visit his family's farm instead of staying in the city for the holiday.The sentence answers the implicit 'why did you go' with a single 'because' clause giving one clear cause (the friend's invitation) plus one contrast ('instead of staying in the city'), directly following the cue card's natural order of when/why. It's a complete, on-topic answer to that part of the prompt without further elaboration on why the invitation was appealing beyond the holiday timing, which a 7.0 answer might add. This direct, single-reason structure is exactly the 6.5 Fluency & Coherence target — clear and sufficient, not built out further.
  • LRsurprisingly fun'Surprisingly fun' combines two common, everyday words to convey an unexpected positive reaction to feeding chickens, rather than a more specific or vivid description a higher band might use for the same small moment. The word 'surprisingly' does carry a little nuance — signalling the speaker didn't expect to enjoy it — but the vocabulary overall stays plain and functional, matching the 6.5 target of clear, high-frequency words used accurately rather than reaching for more distinctive phrasing.
  • GRAThere was no traffic noise, no phone notifications, just green fields and fresh air.The sentence drops the repeated 'there was' after the first item and lists the remaining three elements as a simple asyndetic list, which is a basic ellipsis technique rather than a more developed parallel structure. It's accurate and reads naturally as a spoken list contrasting city and countryside, but it doesn't build the contrast into a fuller comparative sentence explicitly comparing this quiet to the noise of city life within the same clause, the way a 7.0 answer might. This keeps the technique within the 6.5 descriptor's comfort zone.
Band 7.0

The 7.0 answer uses a natural collocation ('a much slower, calmer pace') and adds a short reflective observation about noticing how rushed daily life normally is, developing beyond plain description without reaching for literary structures.

The countryside place I'd like to talk about is a small tea farm up in the hills outside Đà Nẵng, about an hour's drive from where I live, which belongs to my colleague Nam's family.

I went there for the first time last spring, because Nam had been talking about the tea harvest for weeks and eventually just invited a few of us from the office to come and see it for ourselves. I'd never actually seen tea being picked before, even though I drink it almost every day, so I was curious enough to say yes straight away.

While I was there, I remember walking between rows of tea bushes early in the morning, before it got too hot, while Nam's mother showed us exactly which leaves to pick and which to leave alone. It's harder than it looks, and I was much slower than everyone else, picking maybe a quarter of what they managed in the same time. Later we sat on the porch and watched the leaves being dried in the sun, and Nam's father made us fresh tea from leaves picked that same morning, which honestly tasted completely different from anything I'd bought before.

I enjoyed visiting this place mainly because everything moved at a much slower, calmer pace than I'm used to. There was no traffic, hardly any phone signal, and nothing to do except focus on one simple task at a time. It made me realise how rushed my normal daily routine actually is, without me really noticing it most of the time. I've already told Nam I want to come back for the next harvest, assuming my picking speed has improved by then.

280 words · about 2 minutes

Why this band

  • LRa much slower, calmer pace'A much slower, calmer pace' pairs two related adjectives to build a fuller sense of the change in rhythm than either word alone would give, and 'pace' itself is a slightly more abstract noun than a plainer phrase like 'everything was slower'. This kind of layered, natural adjective pairing is the modestly flexible vocabulary Band 7.0 lexical resource is calibrated for.
  • FCIt made me realise how rushed my normal daily routine actually is, without me really noticing it most of the time.Rather than just describing the farm visit, the speaker draws a conclusion about their own daily life back in the city — realising how 'rushed' their normal routine is — and adds the detail that they hadn't consciously noticed this before. This kind of reflective point, moving from a specific trip to an insight about the speaker's usual life, is the Band 7.0 development the descriptor calls for beyond plain narration.
  • GRALater we sat on the porch and watched the leaves being dried in the sun, and Nam's father made us fresh tea from leaves picked that same morning, which honestly tasted completely different from anything I'd bought before.The sentence combines a passive gerund ('watched the leaves being dried'), a coordinated main clause about the father making tea, and a relative clause commenting on the tea's taste ('which honestly tasted completely different'), all within one long but controlled sentence. Managing three different grammatical devices in sequence without losing accuracy is the comfortable complex range Band 7.0 grammar is designed to reward.
Band 7.5

The 7.5 answer is built on precise, concrete phrasing ('turns into a mud track') and closes with a dry, ironic one-liner ('My planting speed had not improved.') that gives the whole answer a wry, controlled finish.

The countryside place I'd talk about is a village outside Tam Kỳ, in Quảng Nam province, where my friend Khánh's grandparents live. It's about ninety minutes south of Da Nang by motorbike, on a road that turns into a mud track between rice fields for the last ten minutes.

I went for the first time in June, two years ago, because Khánh's family were planting rice and she'd offered anyone from the office a weekend of free food in return for free labour. I'd never been in a paddy field in my life, which she found hilarious for someone who was born in Hue, surrounded by them.

The village is a few dozen houses along a canal. The grandparents' house is wooden, dark and cool inside, with the ancestral altar facing the door and photographs of relatives I was introduced to as if they were present. Outside there's a yard with a tamarind tree, a duck pond, and a view across flat green fields to a line of hills that turn blue in the evening.

What we did was work, mostly. Planting rice means standing calf-deep in warm mud, bent over, pushing seedlings in a line at a speed that Khánh's grandmother, who is seventy-eight, could maintain all morning and I could maintain for about twenty minutes. In the evening her uncle brought out rice wine and asked me detailed questions about app design that I'm certain he didn't care about but which he asked with perfect politeness.

Why I enjoyed it is partly the obvious: the quiet, the air, the food that was growing ten metres from the kitchen. But mostly it was the rhythm. There, the day is shaped by light and heat rather than notifications, and after two days I noticed I'd stopped reaching for my phone because there was nothing in it that mattered. I went back the following year for the harvest. My planting speed had not improved.

323 words · about 2 minutes

Why this band

  • LRturns into a mud track'Turns into a mud track' is precise and visual, naming the specific transformation the road undergoes rather than a vaguer description like 'the road gets bad', and it sets up the physical remoteness of the village before the story even begins. This kind of exact, image-carrying phrasing, chosen instead of a general adjective, is the precise vocabulary the Band 7.5 descriptor asks for.
  • FCwhich she found hilarious for someone who was born in Hue, surrounded by themThe aside about Khánh finding it 'hilarious' that someone born in Hue had never stood in a paddy field adds a moment of self-deprecating humour without breaking the narrative flow, and it's delivered with restraint rather than being explained or laboured. This kind of wry, understated humour woven into the story — rather than a straightforward statement of embarrassment — is the evaluative, personality-revealing touch Band 7.5 fluency and coherence rewards.
  • GRAMy planting speed had not improved.'My planting speed had not improved' uses the past perfect for deliberate deadpan effect after a full year has passed, deflating the sense of personal growth a reader might expect from a return visit. Choosing this flat, ironic closing register over a more conventional wrap-up sentence ('I really enjoyed going back') is a controlled stylistic decision that marks Band 7.5 grammar and delivery, not just correctness.

How this card was asked, by exam period

  • Describe a place in the countryside that you enjoyed visitingMay–Aug 2026

Part 3 follow-up questions

These are the discussion questions examiners asked after this cue card. Sample answers are shown where available.

  1. 1. What are the possible disadvantages of living in the countryside?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    The plain opener 'The biggest problem is that help is far away' states the position immediately, with no hedging, which is typical of a 6.5 answer.

    The biggest problem is that help is far away. Khánh's grandmother fell in her yard last year, and nobody noticed for forty minutes. Then it took two more hours for a doctor to arrive, but in the city an ambulance only takes fifteen minutes. Also, schools and jobs are not as good in the countryside, and the internet is often slow. Everyone knows each other there, which is nice but can feel too close. Young people move away, so villages get older every year.

    Why this band

    • FCAlso, schools and jobs are not as good in the countrysideNew ideas are simply bolted on with 'Also', a basic additive linker. The 7.0 version instead opens with 'Beyond emergencies, I'd say', signalling a real shift of topic rather than just adding another item to a list.
    • LRhelp is far awayThis is modest, everyday vocabulary that gets the meaning across but stays generic. The 7.5 version upgrades the same idea to 'how far away help really is' and later to 'claustrophobic', choosing more precise, evaluative words.
    • GRAnobody noticed for forty minutesA short, simple past-tense clause with no subordination. The 7.5 rewrite folds the same fact into a longer sentence with an embedded clause, 'lay there for forty minutes before a neighbour noticed her', showing more controlled complexity.
    Band 7.0

    The opening hedge 'Honestly, the sharpest disadvantage is' softens a strong claim just enough to sound like natural spoken reflection rather than a flat announcement.

    Honestly, the sharpest disadvantage is distance from help. Khánh's grandmother fell in the yard last year and lay there for forty minutes before anyone noticed, and it took two more hours before a doctor reached her, whereas in Da Nang that's a fifteen-minute ambulance ride. Beyond emergencies, I'd say education and jobs are limited, the internet is patchy, and the close social life, though warm, means everyone knows your business. To be fair, young people naturally drift to the city, so villages are ageing. So the beauty outsiders admire can mean floods and hard physical work for the people who actually live there.

    Why this band

    • FCBeyond emergencies, I'd say education and jobs are limitedThis pivots the topic with a phrase rather than the bare 'Also' of 6.5, and the hedge 'I'd say' adds a spoken quality that 7.5 replaces with a tighter colon-led list instead.
    • LRclose social life, though warm, means everyone knows your businessThe parenthetical 'though warm' is an evaluative aside that goes beyond 6.5's plain 'which is nice but'. It is a little less compact than 7.5's paired adjectives 'warm but claustrophobic'.
    • GRAlay there for forty minutes before anyone noticedThe subordinating conjunction 'before' links two events smoothly, a step up from 6.5's two separate simple sentences, though it is still less densely packed than 7.5's appositive clause.
    Band 7.5

    The appositive '— a wait that would be a fifteen-minute ambulance ride in Da Nang —' compresses a whole comparison into one embedded clause, the compact grammar typical of a 7.5 response.

    The sharpest disadvantage, without question, is how far away help really is. Khánh's grandmother fell in the yard last year and lay there for forty minutes before a neighbour noticed her, and a further two hours passed before a doctor arrived — a wait that would be a fifteen-minute ambulance ride in Da Nang. Beyond emergencies, there's limited education, thin job prospects, patchy internet, and a social life that's warm but claustrophobic: everyone knows your business, which comforts some and suffocates others. Young people drain away toward the cities, leaving villages to age quietly. And the very scenery that visitors romanticise often translates, for the people who actually live inside it, into floods, isolation and relentless physical labour.

    Why this band

    • FCthere's limited education, thin job prospects, patchy internet, and a social life that's warm but claustrophobicA single sentence chains four ideas in parallel structure, replacing 6.5's separate 'Also' sentence and 7.0's hedge-led version with something more economical and fluent.
    • LRwarm but claustrophobicA precise, slightly idiomatic contrast pair, sharper than 6.5's plain 'nice but... too close' and more compressed than 7.0's 'though warm... your business'.
    • GRAa wait that would be a fifteen-minute ambulance ride in Da NangA compact appositive noun phrase stands in for a full clause, demonstrating flexible grammar beyond both 6.5's simple clauses and 7.0's subordinate clause with 'before'.
  2. 2. Do you think more people visit the countryside today than in the past?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    The short declarative 'Nobody called that tourism' delivers the contrast in four plain words, characteristic of 6.5's direct, unembellished style.

    Yes, I think more people visit now, but for different reasons. My parents only went to the countryside because they came from it, so visiting the village meant visiting family. Nobody called that tourism. Now there is a homestay sign at the end of Khánh's grandparents' lane, and city couples with no village of their own go there just for the scenery. Better roads and social media made the countryside a destination. But fewer people have family in a village now, so the old kind of visiting is disappearing.

    Why this band

    • FCBut fewer people have family in a village now, so the old kind of visiting is disappearingThis is a single linear sentence chained with 'But...so'. The 7.5 version instead closes with a balanced antithesis, 'more visitors overall — but increasingly they're guests', which does more work in the same space.
    • LRgo there just for the sceneryA plain, generic verb choice. The 7.5 rewrite uses the more natural collocation 'book weekends there purely for the scenery', which sounds like something an actual traveller would say.
    • GRABetter roads and social media made the countryside a destinationA simple subject-verb-object sentence in the past tense. The 7.0 version upgrades this to present perfect with a longer subject list, 'Cars, better roads and social media have turned rural areas into destinations'.
    Band 7.0

    The hedge 'to be fair' right before conceding that 'the old kind of visiting is slowly fading' softens the claim in a way 6.5's flat statement never does.

    Honestly, more people visit, but I'd say for quite different reasons than before. My parents' generation only ever went to the countryside because they came from it — visiting the village simply meant visiting family, and nobody would have called it tourism. Now there's a homestay sign at the end of Khánh's grandparents' lane, and city couples with no village of their own book weekends there just for the scenery. Cars, better roads and social media have turned rural areas into destinations. At the same time, fewer people still have relatives in a village, so, to be fair, the old kind of visiting is slowly fading.

    Why this band

    • FCAt the same time, fewer people still have relatives in a villageA cohesive time marker pivots to the counterpoint, which is more developed than 6.5's plain 'But', though still less compact than 7.5's semicolon-free antithesis at the close.
    • LRbook weekends there just for the sceneryThe collocation 'book weekends' is more idiomatic than 6.5's generic 'go there', though 7.5 sharpens it further to 'book weekends there purely for the scenery'.
    • GRAnobody would have called it tourismThe modal perfect 'would have called' expresses a hypothetical judgement about the past, a level of control above 6.5's flat simple past 'Nobody called'.
    Band 7.5

    The closing antithesis 'more visitors overall — but increasingly they're guests rather than returning children' delivers the whole argument in one balanced, idiomatic line.

    More people visit than in the past, though for a rather different reason. My parents' generation went to the countryside only because they came from it; visiting the village meant visiting family, and nobody would have dreamed of calling it tourism. Now there's a homestay sign nailed up at the end of Khánh's grandparents' lane, and city couples with no village to call their own book weekends there purely for the scenery. Cars, smoother roads and social media have quietly rebranded rural areas as destinations. At the same time, fewer and fewer people have living relatives in a village, so the old kind of visiting is fading out even as the new kind expands. So yes, more visitors overall — but increasingly they're guests rather than returning children.

    Why this band

    • FCSo yes, more visitors overall — but increasingly they're guests rather than returning childrenA compact concluding antithesis ties the whole answer together, well beyond 6.5's simple closing sentence and 7.0's softer 'slowly fading'.
    • LRquietly rebranded rural areas as destinations'Rebranded' is a precise, slightly figurative verb choice, sharper than 6.5's 'made... a destination' and 7.0's more neutral 'turned... into destinations'.
    • GRAnobody would have dreamed of calling it tourismThe semicolon-joined clause and the modal perfect 'would have dreamed' show flexible, controlled grammar beyond 6.5's short sentences and 7.0's plainer 'would have called'.
  3. 3. What are the most popular places in the countryside for people in your region to visit?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    The word 'Basically' signals the closing summary in the simplest way possible, doing the job without any real stylistic flourish.

    Around Da Nang, popular places fall into a few groups. First, the mountains — Bà Nà, now a theme park, and the Hải Vân pass, where people ride motorbikes for the view. Then there is heritage, like the Mỹ Sơn ruins and villages near Hội An, such as Trà Quế, where you can see vegetables growing and eat them. Rivers and waterfalls get busy on hot Sundays. Rice fields in Quảng Nam are also popular with photographers. Basically, people want something to see or eat, not just plain countryside.

    Why this band

    • FCFirst, the mountainsA minimal sequencing marker organises the list. The 7.5 version instead opens with 'The mountains come first', folding the sequencing into the sentence itself rather than bolting it on.
    • LRwhere people ride motorbikes for the viewPlain, functional wording. The 7.5 rewrite prefers 'ride purely for the views unfurling below', adding a more vivid, almost cinematic verb choice.
    • GRARice fields in Quảng Nam are also popular with photographersA short, simple sentence with no elaboration. The 7.0 version extends the same fact into one longer sentence joined with 'and', giving more information without starting a new sentence.
    Band 7.0

    The hedge 'I'd say' before a fairly confident claim about photographers is a small spoken cushion that 6.5's flatter 'are also popular' does not bother with.

    Honestly, the popular spots around Da Nang cluster into a few clear types. The mountains come first — Bà Nà, turned into a theme park, and the Hải Vân pass, which people ride purely for the views. Then there's heritage: the Mỹ Sơn ruins in the jungle, and villages around Hội An like Trà Quế, where you can watch vegetables being grown before eating them. Rivers and waterfalls fill up on hot Sundays, and I'd say the rice country in Quảng Nam is quietly popular with photographers at planting and harvest time. So the pattern, to be fair, is that people want something to see or eat, not countryside for its own sake.

    Why this band

    • FCThen there's heritage:The colon introduces a list smoothly within one sentence, more fluent than 6.5's separate short sentence 'Then there is heritage, like'.
    • LRwatch vegetables being grown before eating themThe passive construction 'being grown' is a slightly more sophisticated phrasing than 6.5's simple 'see vegetables growing', though 7.5 pushes further with 'an hour later' for vivid specificity.
    • GRAwhich people ride purely for the viewsA relative clause with 'purely for' adds nuance beyond 6.5's plain 'where people ride motorbikes for the view', though it is still less densely packed than 7.5's version with 'unfurling below'.
    Band 7.5

    The closing line 'plain countryside for its own sake rarely earns the trip' turns a flat observation into a memorable, almost aphoristic judgement.

    Around Da Nang the popular spots cluster neatly into a few types. The mountains come first — Bà Nà, now reinvented as a theme park, and the Hải Vân pass, which people ride purely for the views unfurling below. Then there's heritage: the Mỹ Sơn temple ruins buried in jungle, and the villages ringing Hội An, like Trà Quế, where you can watch vegetables being grown and then eat them an hour later. Rivers and waterfalls in the hills west of the city fill up reliably on hot Sundays, and the rice country in Quảng Nam draws a quiet but devoted crowd of photographers at planting and harvest time. The pattern, really, is that people want something to see or eat — plain countryside for its own sake rarely earns the trip.

    Why this band

    • FCThe mountains come firstThe sequencing is built into the grammar of the sentence itself rather than tacked on as a separate marker, more fluent than 6.5's bare 'First, the mountains'.
    • LRnow reinvented as a theme park'Reinvented' is a more precise, slightly figurative verb than 6.5's plain 'is now' and 7.0's 'has been turned into', capturing the sense of transformation more vividly.
    • GRAa quiet but devoted crowd of photographersA compact noun phrase with two contrasting adjectives packs a comparative judgement into a few words, a flexibility beyond 6.5's short factual sentence and 7.0's plainer 'quietly popular with photographers'.
  4. 4. What changes could make the countryside more attractive for people to live in?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    The short sentence 'That one bridge helped more than any campaign' makes a strong claim in the plainest possible words, with no qualifying language at all.

    I think two things need to change: distance and income. A new bridge near the village replaced an old ferry two years ago and cut the trip to the district hospital in half. That one bridge helped more than any campaign. Fast internet is the second thing. Fibre reached the commune office last year, but not the houses yet, so remote work still cannot reach the village. If there was also a good school, a real doctor, and some jobs outside farming, many people would stay instead of leaving.

    Why this band

    • FCI think two things need to change: distance and incomeA direct thesis statement opens the answer. The 7.5 version phrases the same idea more actively as 'I'd fix the two things that quietly drive people away', turning a static list into a verb-led claim.
    • LRThat one bridge helped more than any campaignPlain vocabulary states the point clearly. The 7.5 rewrite reaches for 'that one piece of concrete achieved more than any awareness campaign ever could', which is far more vivid and specific.
    • GRAFibre reached the commune office last year, but not the houses yetTwo short clauses joined with 'but'. The 7.0 version instead uses a semicolon to link a cause-and-effect pair, 'fibre reached the commune office last year but still hasn't reached the houses, so remote work can't reach the village either', in one continuous thought.
    Band 7.0

    The hedge 'I think you need to' softens what is otherwise a fairly confident, structured argument, keeping the tone conversational rather than lecturing.

    Honestly, I think you need to fix the two things that push people away: distance and income. A new bridge near the village, built two years ago, replaced a ferry crossing and halved the journey to the district hospital — that single piece of concrete probably did more than any government campaign. Fast internet is the second lever; fibre reached the commune office last year but still hasn't reached the houses, so remote work can't reach the village either. I'd add a good secondary school, a clinic with a doctor who actually lives there, and some jobs beyond farming, and I think many people who currently leave would choose to stay.

    Why this band

    • LRFast internet is the second lever'Lever' is a slightly figurative word choice for a spoken response, a step above 6.5's flat 'Fast internet is the second thing', though not as fully developed metaphorically as 7.5's parallel phrasing.
    • FCthat single piece of concrete probably did more than any government campaignThe hedge 'probably' softens the claim compared with 6.5's blunt 'helped more than any campaign', while 7.5 drops the hedge again for a more assertive, polished version of the same idea.
    • GRAfibre reached the commune office last year but still hasn't reached the houses, so remote work can't reach the village eitherA single sentence links cause and effect across two clauses with 'but' and 'so', more fluent than 6.5's two separate short sentences on the same point.
    Band 7.5

    The closing line 'it just needs to stop punishing people for choosing it' turns a policy list into a memorable, personified final image.

    I'd fix the two things that quietly drive people away: distance and income. A new bridge near the village went up two years ago, replacing a rickety ferry crossing and halving the journey to the district hospital — that one piece of concrete achieved more than any awareness campaign ever could. Fast internet is the second lever; fibre reached the commune office last year but stops short of the houses, and until it doesn't, remote work simply can't reach the village either. Add a decent secondary school, a clinic staffed by a doctor who actually lives there, and a handful of jobs beyond farming, and plenty of people who currently drift away would stay. The countryside doesn't need to become a city; it just needs to stop punishing people for choosing it.

    Why this band

    • FCThe countryside doesn't need to become a city; it just needs to stop punishing people for choosing itA semicolon-joined pair of contrasting clauses gives the answer a rounded, deliberate ending, well beyond 6.5's plain closing sentence and 7.0's more matter-of-fact 'would choose to stay'.
    • LRthat one piece of concrete achieved more than any awareness campaign ever could'Achieved' and 'ever could' add emphasis and idiomatic weight that 6.5's flat 'helped more than' and 7.0's hedged 'probably did more than' don't reach for.
    • GRAAdd a decent secondary school, a clinic staffed by a doctor who actually lives there, and a handful of jobs beyond farming, and plenty of people who currently drift away would stayAn imperative conditional structure ('Add X, and Y would happen') compresses a whole cause-and-effect argument into one flexible sentence, more advanced than 6.5's separate conditional 'If there was also... many people would stay'.
  5. 5. Why do some people choose to live in the countryside?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    The plain opener 'One reason is that country life feels more real' states the position without any hedge, which is typical of the direct 6.5 style.

    One reason is that country life feels more real. A former colleague left our studio at thirty-two to keep bees on a farm outside Hội An. When I asked why, she said she wanted work with a visible result — plant, tend, harvest, sell — instead of answering emails. Other people want quiet, more space for their children, or lower costs so they can work less. Some never left and cannot imagine living anywhere else. And now some people work remotely, so they no longer need to live in the city at all.

    Why this band

    • GRAOther people want quiet, more space for their children, or lower costs so they can work lessA simple list joined with commas and 'or'. The 7.5 version varies the sentence with a semicolon-free string of near-parallel clauses that flow more naturally, 'Others crave quiet, or space for their children, or lower costs that let them work fewer hours'.
    • LRcountry life feels more realA vague, generic claim. The 7.0 and 7.5 versions replace it with a specific, borrowed phrase from the colleague herself — 'a life with visible cause and effect' — which is far more precise.
    • FCAnd now some people work remotely, so they no longer need to live in the city at allThe final idea is tacked on with 'And', a simple additive link. The 7.5 version instead frames the same group as 'a growing tribe who work remotely and have finally realised the city was only ever useful for its office', which reads as a considered closing point rather than an afterthought.
    Band 7.0

    The hedge 'to be fair' inserted mid-sentence before the final claim softens what could otherwise sound like a sweeping generalisation.

    Honestly, I think it's usually about wanting work and life to make more sense. A former colleague of mine quit our studio at thirty-two to keep bees on a smallholding outside Hội An, and when I asked why, she said she wanted a life with visible cause and effect — plant, tend, harvest, sell, rather than a chain of emails about a button. Others want quiet, or space for children, or lower costs that let them work less. Some never left in the first place and can't imagine why anyone would. And there's a growing group who work remotely and have realised, to be fair, that the city was only ever useful for the office.

    Why this band

    • FCHonestly, I think it's usually about wanting work and life to make more senseThe hedge 'Honestly, I think' frames the whole answer as a personal reflection, a more natural spoken opening than 6.5's flat 'One reason is that'.
    • LRa chain of emails about a buttonA vivid, specific image borrowed almost directly from the colleague's own words, more precise than 6.5's vague paraphrase 'just answering emails'.
    • GRASome never left in the first place and can't imagine why anyone wouldThe phrase 'in the first place' adds a small connective nuance that 6.5's plainer 'Some never left and cannot imagine living anywhere else' doesn't include.
    Band 7.5

    The closing line 'that city life costs more than it gives back' turns a list of individual motives into a single, sharp unifying idea.

    A former colleague of mine quit our studio at thirty-two to keep bees on a smallholding outside Hội An, and when I asked why, she said she simply wanted her work to make sense — plant, tend, harvest, sell, rather than a chain of emails about a button. That's one reason: the countryside offers a life with visible cause and effect, something a lot of city jobs quietly strip away. Others crave quiet, or space for their children, or lower costs that let them work fewer hours. Some never left at all and genuinely can't imagine why anyone would. And there's a growing tribe who work remotely and have finally realised the city was only ever useful for its office. The motives differ, but they share one suspicion: that city life costs more than it gives back.

    Why this band

    • FCThe motives differ, but they share one suspicion: that city life costs more than it gives backA tightly constructed concluding sentence ties together several separate reasons into one idea, more sophisticated than 6.5's loosely connected final sentence and 7.0's plainer close.
    • LRsomething a lot of city jobs quietly strip away'Strip away' is an evaluative, almost literary verb choice, well beyond 6.5's plain 'feels more real' and 7.0's more neutral 'make more sense'.
    • GRAOthers crave quiet, or space for their children, or lower costs that let them work fewer hoursThe verb 'crave' plus a relative clause ('that let them work fewer hours') gives this list more grammatical texture than 6.5's plain comma list and 7.0's simpler 'want... that let them work less'.
  6. 6. What kinds of problems are caused by a declining population in rural areas?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    The plain first sentence 'The problems make each other worse' states the main idea directly before any examples are given, in typical 6.5 fashion.

    The problems make each other worse. In Khánh's village, the school merged with the next commune's school because there were not enough children. That meant a longer trip for the children who stayed, so more families left. Fields are left empty because nobody under fifty works them anymore, so less food is grown. Services close too, like the bus route and the clinic, because there are not enough people to pay for them. The people left behind are mostly old, and there is nobody to look after them.

    Why this band

    • GRAThat meant a longer trip for the children who stayed, so more families leftTwo short clauses chained with 'so'. The 7.5 version links three cause-and-effect steps in a single relative-clause chain, 'which meant a longer trip for the ones who remained, which pushed still more families to leave', which is more compact.
    • LRFields are left empty because nobody under fifty works them anymorePlain vocabulary. The 7.0 and 7.5 versions use the more precise agricultural term 'fields go fallow', which is a more specific and technically accurate collocation.
    • FCServices close too, like the bus route and the clinicA simple listing sentence. The 7.5 version instead uses a dash-like interruption, 'Services close — the bus route, the clinic —', which reads more like natural spoken emphasis than a flat list.
    Band 7.0

    The verb 'compound' in the opening sentence is a more precise, almost technical word choice than 6.5's plain 'make each other worse'.

    Honestly, I think the problems tend to compound each other. In Khánh's village, the school merged with the next commune's because there weren't enough children left, which meant a longer trip for the ones who remained, which in turn pushed more families to leave. Fields go fallow because nobody under fifty is around to work them, so food production drops and the landscape itself starts to change. Services close too — the bus route, the clinic — simply because the numbers no longer justify keeping them. The people left behind are mostly elderly, and, to be fair, there's often nobody around to care for them.

    Why this band

    • GRAwhich meant a longer trip for the ones who remained, which in turn pushed more families to leaveA chain of two relative clauses ('which... which') shows more grammatical range than 6.5's short 'That meant... so', though it is a touch less economical than 7.5's version of the same chain.
    • LRFields go fallow because nobody under fifty is around to work them'Go fallow' is a precise agricultural collocation, more specific than 6.5's generic 'are left empty', matching the level of detail in 7.5's identical phrase.
    • FCServices close too — the bus route, the clinic —The dash-set examples interrupt the sentence for emphasis, a more natural spoken rhythm than 6.5's flatter 'like the bus route and the clinic'.
    Band 7.5

    The closing metaphor 'a collection of houses waiting to be sold' gives the whole answer a memorable, slightly bleak final image.

    The problems compound each other in a fairly grim chain. In Khánh's village the school merged with the next commune's because there weren't enough children, which meant a longer trip for the ones who remained, which pushed still more families to leave. Fields go fallow because nobody under fifty is left to work them, so food production drops and the landscape itself quietly changes shape. Services close — the bus route, the clinic — because the numbers no longer justify keeping them running. The people left behind are old, and there's often no one left to care for them. Beyond a certain size, a village stops being a community altogether and becomes little more than a collection of houses waiting to be sold.

    Why this band

    • FCBeyond a certain size, a village stops being a community altogether and becomes little more than a collection of houses waiting to be soldThis closing sentence introduces a new, more abstract idea as a final flourish, something neither 6.5's list-style ending nor 7.0's plainer close attempts.
    • LRthe landscape itself quietly changes shape'Quietly changes shape' is a more figurative, precise phrase than 6.5's flat 'less food is grown' and slightly more polished than 7.0's near-identical 'starts to change'.
    • GRAwhich meant a longer trip for the ones who remained, which pushed still more families to leaveThe repeated relative pronoun 'which' creates a controlled chain of consequence in one flowing sentence, showing more flexible grammar than 6.5's two short separate sentences on the same idea.
  7. 7. Do you think the countryside's main role in the future will be agriculture or tourism?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    The plain phrase 'its real job is food' sums up the whole position in five simple words, direct and unembellished.

    I think agriculture will still be the main role, even though tourism will get more attention. Khánh's uncle's fields are a small part of a system that feeds many people, and no amount of homestays changes the fact that someone has to grow the rice. Tourism will matter more in beautiful places like coasts and mountains, and it can help a village survive. But most countryside is just flat farmland, and its real job is food. I expect farming will become more mechanised, with tourism only a small extra in a few places.

    Why this band

    • GRAI think agriculture will still be the main role, even though tourism will get more attentionA single clear thesis statement with 'even though'. The 7.5 version compresses the same contrast into a two-word opener, 'Agriculture, by a long way, though tourism will undeniably get more of the attention', which is punchier.
    • LRno amount of homestays changes the fact that someone has to grow the riceClear but plain phrasing. The 7.0 and 7.5 versions use 'no number of homestays changes the arithmetic', where 'arithmetic' is a more precise, figurative noun choice for the same idea.
    • FCBut most countryside is just flat farmland, and its real job is foodA short, blunt closing-style sentence. The 7.5 version extends the same idea with the more emphatic 'that no tourist is ever going to photograph, and its job will remain food, full stop', adding conversational emphasis.
    Band 7.0

    The hedge-led answer 'Honestly, I'd say agriculture, by quite a distance' softens a strong opinion into something that still sounds like natural speech.

    Honestly, I'd say agriculture, by quite a distance, even though tourism will get more attention. Khánh's uncle's fields are one small piece of a system that feeds a hundred million people, and no number of homestays changes the arithmetic that someone still has to grow the rice. Tourism will matter more in the beautiful parts — coasts, mountains, heritage villages — and it can be the difference between a village surviving or slowly emptying out. But most countryside is ordinary flat farmland that no tourist wants to photograph, so its job stays the same. I'd expect farming that's more mechanised and less labour-intensive, with tourism a useful sideline rather than the main story.

    Why this band

    • FCthe difference between a village surviving or slowly emptying outA balanced two-option phrase ('surviving or... emptying out') gives the sentence rhythm, more developed than 6.5's simpler 'help a village survive'.
    • LRno number of homestays changes the arithmetic that someone still has to grow the rice'Arithmetic' is a precise, slightly figurative noun for an unavoidable fact, more vivid than 6.5's plain 'the fact that'.
    • GRAordinary flat farmland that no tourist wants to photographA relative clause adds a specific, visual detail beyond 6.5's flatter 'just flat farmland', matching the level of detail 7.5 reaches for with 'ever going to photograph'.
    Band 7.5

    The blunt closing phrase 'and its job will remain food, full stop' uses an idiomatic emphatic marker that neither 6.5 nor 7.0 reaches for.

    Agriculture, by a long way, though tourism will undeniably get more of the attention. Khánh's uncle's fields are one small cog in a system that feeds a hundred million people, and no number of homestays changes the arithmetic that someone still has to grow the rice. Tourism will matter more in the genuinely beautiful corners — coasts, mountains, heritage villages — and it can mean the difference between a village surviving or quietly emptying out. But most countryside is ordinary flat farmland that no tourist is ever going to photograph, and its job will remain food, full stop. What I'd expect is farming that grows steadily more mechanised and less labour-intensive, with tourism surviving as a valuable sideline in a minority of places rather than the main role anywhere.

    Why this band

    • GRAAgriculture, by a long way, though tourism will undeniably get more of the attentionThe fragment-style opener drops straight into the answer without a subject or verb, a more confident, compressed structure than 6.5's full sentence 'I think agriculture will still be the main role'.
    • LRone small cog in a system that feeds a hundred million people'Cog' is a precise, figurative metaphor for a minor but essential part, more vivid than 6.5's plain 'a small part' and 7.0's near-identical 'one small piece'.
    • FCand its job will remain food, full stopThe idiomatic tag 'full stop' adds emphatic, natural closure to the sentence, a stylistic flourish beyond both 6.5's plain statement and 7.0's more neutral 'so its job will stay the same'.
  8. 8. Do you agree or disagree that people who live in the countryside are different from those who live in cities?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    The final sentence 'The place shapes the person, but it does not create a different kind of person' states the conclusion in short, balanced, plain clauses.

    I agree a little, but it's about habits, not real nature. Khánh's uncle tells a story from beginning to end without interruptions, and expects the same from you. In my studio, we interrupt each other within seconds. That's a real difference, caused by a slower life with fewer strangers. Country people are often more patient and more careful about change. But if you put a city person in the village for a year, they would probably learn the same habits. The place shapes the person, but it doesn't create a different kind of person.

    Why this band

    • FCIn my studio, we interrupt each other within secondsA separate short sentence contrasts with the previous one. The 7.5 version instead joins both halves with 'whereas' in a single sentence, which reads more fluently as one comparison rather than two facts.
    • LRCountry people are often more patient and more careful about changeA simple two-item list with 'and'. The 7.5 version expands this into a four-item list — 'more patient, more tuned to the seasons, more dependent on neighbours, and more wary of change' — with more varied, precise adjectives.
    • GRABut if you put a city person in the village for a year, they would probably learn the same habitsA standard first-conditional sentence. The 7.5 version replaces 'if' with a more idiomatic imperative structure, 'drop a city person into the village for a year and they'd absorb most of it soon enough', which is a more flexible grammatical option.
    Band 7.0

    The phrase 'a small version of the claim' is a precise, slightly abstract way of hedging agreement that 6.5's plainer 'I agree a little' doesn't quite reach.

    I'd agree with a small version of the claim — different in habits, rather than in nature. Khánh's uncle tells a story from beginning to end with no interruptions, and expects the same from you, whereas in my studio we interrupt each other within seconds. That's a difference, produced by a life with more time and fewer strangers. Rural people tend to be more patient, more tied to the seasons, and more cautious about change, since change rarely brings good news. But put a city person in the village for a year and they'd probably pick up most of it. So the place shapes the person; it doesn't create a different kind of person.

    Why this band

    • FCwhereas in my studio we interrupt each other within secondsThe subordinator 'whereas' merges what would be two separate sentences at 6.5 into a single comparative sentence, a more fluent structure.
    • LRmore tied to the seasonsA precise, specific image tied to rural life, more vivid than 6.5's generic 'more careful about change' as a description of rural temperament.
    • GRAput a city person in the village for a year and they'd probably pick up most of itAn imperative-plus-result structure ('put X... and Y') is a more flexible option than 6.5's standard 'if' conditional, though it still keeps the hedge 'probably' that 7.5 drops.
    Band 7.5

    The idiom 'I'd sign up for' replaces a plain 'I agree with', giving the opening a slightly more natural, conversational register.

    Different in habits, not in nature — I'd sign up for a small version of the claim. Khánh's uncle tells a story from beginning to end with no interruptions, and expects the same courtesy from you; in my studio, by contrast, we interrupt each other within seconds. That's a genuine difference, produced by a life with more time on its hands and fewer strangers passing through it. Rural people tend to be more patient, more tuned to the seasons, more dependent on neighbours, and more wary of change, since change has rarely brought them good news. But drop a city person into the village for a year and they'd absorb most of it soon enough. The place shapes the person; it doesn't manufacture a different kind of person.

    Why this band

    • FCin my studio, by contrast, we interrupt each other within secondsThe semicolon plus 'by contrast' creates a tightly balanced single-sentence comparison, more economical than 6.5's two separate sentences and slightly tighter than 7.0's 'whereas' version.
    • LRa life with more time on its hands and fewer strangers passing through itThe personified idiom 'time on its hands' is a more idiomatic, vivid phrase than 6.5's flat 'a slower life' and 7.0's plainer 'a life with more time'.
    • GRAThe place shapes the person; it doesn't manufacture a different kind of personThe semicolon-joined pair with the precise verb 'manufacture' shows more compact, controlled grammar than 6.5's comma-joined 'but' sentence on the same idea.
  9. 9. What kinds of people enjoy visiting the countryside?

    May–Aug 2026
    Compare Band 6.5 / 7.0 / 7.5 for this question
    Band 6.5

    The plain closing sentence 'Older people often enjoy it most' adds a final point without any explanation, in typical direct 6.5 style.

    Three of us went from the office one weekend, which was interesting. Two of us loved it — we both stare at screens all day and wanted something slow and physical. The third person was bored by lunchtime and went home early, because she needed noise and activity. So I think people who enjoy the countryside are usually people who already have enough of the city, like tired office workers, parents who want their kids to see animals, and photographers. People who need constant excitement usually don't enjoy it. Older people often enjoy it most.

    Why this band

    • LRThe third person was bored by lunchtime and went home earlyA simple past-tense narrative sentence. The 7.5 version sharpens the same fact with the idiom 'bored stiff by lunchtime on day one', which is far more vivid and specific.
    • FCSo I think people who enjoy the countryside are usually people who already have enough of the cityThe transition 'So I think' is functional but plain. The 7.0 version instead opens with 'So I'd say the people who enjoy the countryside tend to be those who', a slightly more hedged and natural-sounding equivalent.
    • GRAlike tired office workers, parents who want their kids to see animals, and photographersA straightforward comma list of three items. The 7.5 version extends this list to four items with more specific, evaluative phrasing, such as 'anyone nursing a rural childhood they miss', which needs a relative clause rather than a single noun.
    Band 7.0

    The word 'revealing' to describe the split among colleagues is a more precise, reflective choice than 6.5's plain 'interesting to watch'.

    Honestly, three of us went from the office that first weekend, and the split was revealing. Two of us loved it — both people who spend all day at screens and were genuinely starving for something slow and physical. The third was bored by lunchtime on day one and went home, because she needed noise and options. So I'd say the people who enjoy the countryside tend to be those who already have enough of the city to want its opposite: overworked professionals, parents who want their children to see a duck, photographers, anyone with a rural childhood they miss. People who thrive on stimulation generally don't feel the same pull, to be fair.

    Why this band

    • LRwere genuinely starving for something slow and physicalThe intensifier 'genuinely' plus the figurative verb 'starving' is more vivid than 6.5's flat 'wanted something slow and physical', though 7.5 goes further still with 'quietly starving'.
    • FCPeople who thrive on stimulation generally don't feel the same pull, to be fairThe hedge 'to be fair' at the end softens what would otherwise be a blunt generalisation, unlike 6.5's flat closing statement with no such cushioning.
    • GRAthose who already have enough of the city to want its oppositeThe infinitive clause 'to want its opposite' adds a layer of consequence within a single sentence, more grammatically developed than 6.5's simpler relative clause 'who already have enough of the city'.
    Band 7.5

    The simile 'needing noise and options the way some people need coffee' turns a simple observation into a memorable, idiomatic image.

    Three of us went from the office that first weekend, and the split was oddly instructive. Two of us loved it — both people who spend all day glued to screens and were quietly starving for something physical and unhurried. The third was bored stiff by lunchtime on day one and went home, needing noise and options the way some people need coffee. So the people who genuinely enjoy the countryside tend to be those who already have plenty of city in their system and want its opposite: overworked professionals, parents keen for their children to see a real duck, photographers, anyone nursing a rural childhood they miss. People who thrive on stimulation generally don't take to it at all. And older visitors often enjoy it most of everyone, simply because it's the world they still remember.

    Why this band

    • FCneeding noise and options the way some people need coffeeA simile adds a whole extra layer of characterisation to the sentence, something neither 6.5's plain 'she needed noise and things to do' nor 7.0's version attempts.
    • LRglued to screensThe idiom 'glued to screens' is more vivid than 6.5's plain 'stare at screens all day' and slightly punchier than 7.0's 'spend all day at screens'.
    • GRAalready have plenty of city in their system and want its oppositeThe idiom 'in their system' functions almost like a compressed metaphor within a longer relative clause, showing more flexible grammar than 6.5's plainer 'already have enough of the city'.

Frequently asked questions

How long should my answer to this Part 2 cue card be?
Speak for 1 to 2 minutes. The examiner will stop you at 2 minutes, so aim for roughly 220-300 words that cover every bullet on the card and end with how you feel about it.
What Part 3 questions follow this cue card?
After "A Place in the Countryside You Enjoyed Visiting", examiners have asked 9 follow-up discussion questions, listed above. They move from your personal story to general opinions on the same theme.
Is this cue card still being used?
It was most recently reported by test-takers in May–Aug 2026. Cue cards rotate every four months, and many topics return in later seasons with slightly different wording.
IELTS Speaking Part 2: A Place in the Countryside You Enjoyed Visiting — Cue Card, Sample Answer & Part 3 | Ieltsa